Some time ago, a Bahai friend of mine was
explaining why their prophet used such flowery and extensive language
to communicate with his followers. She explained that the language of
God was beyond our comprehension and that as a divine intermediary, it
was necessary to speak in a more nuanced language – one that often
escaped our direct understanding. In essence, spiritual language
cannot be equated with common speech. I held onto this point, not
because I was satisfied with her explanation, but that there was a
greater depth to be explored with regard to spiritual language.
More recently, I listened to the portfolio of
recorded lectures of Joseph Campbell (www.jcf.org).
Buried in the many concepts presented is a discussion of the language
of myth. Campbell contrasts prose with poetic language. Prose is
essentially our Western manner taking the form ‘who, what, when, and
where’ – prevalent even in our fictional works. In contrast, the
language of poetry invokes symbolic terms, not limited to poems and
songs, but in other writings as well. A principle device of poetic
language is the metaphor. Poetic language conveys meaning through
sound, rhythm, substitution, and emotion. To get the full impact of
poetry, the words must be spoken. Campbell asserted that the language
of myth invokes the language of poetry.
Mythic language is a step beyond poetry – the
meaning is not expressed purely by metaphor – but by becoming the
object being studied.
Poets intend to achieve the ‘I’ and the ‘eye’
for the reader simultaneously. First, the reader is absorbed as the
first-hand witness (subject) in the poem, but always through the
filter or ‘eye’ of the poet. The reader’s observations are
limited by what the poet frames. We make our own inferences, but are
still tethered by the words of the author.
In contrast, mythic language projects the nuances
of our own psyche rather than limiting us to what the poet, or
ourselves, can verbalize. A picture paints a thousand words, but
writing down a dream or vivid projection loses meaning unless an
effective symbol can be invoked.
So isn’t mythic language difficult to
communicate, and as a corollary, cannot the same be said of the
communication of spiritual concepts? Yes and no. Culturally, we are
trained to deal in the written word and encouraged to be precise in
our language. But our brains work so well because of their ability to
process images, symbols and patterns incredibly fast. Our preference
for multi-media presentations over typewritten manuscripts is the fuel
which powers multi-billion dollar industries. First, the motion
picture industry has made a science of mythic language – so much so
that the products are often perceived as formulaic or manipulative.
But, nonetheless, the gems of this industry are held with a passion at
least commensurate with those of the great books, and are more widely
recognized. Similarly, the companies driving this Internet are moving
toward higher capacities to share images, audio and video tracks
between ever widening participants. Talk about a collective psyche! We
now share ideas and symbols across traditional cultural, religious and
language barriers. And we are now conveying these streams of
consciousness in methods that were inconceivable a few months ago –
just wiki it, then podcast it please.
So the building blocks of mythic language are in
active use, not just by authors and filmmakers, but by increasing
numbers of ordinary folk. The next issue is transforming our use of
that language toward shared understanding and acceptance of those
other beings out there. While virtually none of these beings agree
with me, we all share in this odd symbolic framework called humanity.